If the mixture is too viscous cell formation is more difficult.
Fluid painting no cells.
The paints just need to be thin enough to br able to create the cells because if the paint is too thick heavy to move easily then its gonna be too thick to react and move to react with the others.
This was a little experiment which ended up with beautiful result.
Resin is too thick and needs different specific techniques in order to create cells but are always thf smaller cells when using resin.
Many beginners mix their first color mixtures either much too fluid or not fluid enough.
Every color of paint has a specific gravity and when you.
Heavier paints pigments sink through colors that are less dense lighter.
This will almost guarantee that you get cells in your fluid painting.
Using the torch method.
When you mix paint in the same fluid medium the pigments become similarly suspended and interact with each other.
After the application of the paint you go briefly with a hot air hairdryer or torch over the paint and then swivel your canvas until you like the result.
It was quite surprising.
We recommend that you try each of these different cell making techniques one by one.
Varying density of the paint.
Incorrect consistency of the mixture.
I loove acrylic pouring and it s.
The optimal method of creating cells in your acrylic pour is by varying the consistency and density of the paint.
These cells appeared so quickly.
The most reliable way to create cells in your acrylic paint pour is to use silicone or another oil additive.
If the paint is too fluid the result is often broken cells which then completely lose their shape when drying and the paint runs off the canvas too much.
We have summarized the individual fluid painting techniques in our article acrylic pouring techniques how to fluid paint.